Saturday, April 14, 2012

How to Read This Poem

Another from the hoard! This one's actually one of my favorites from my UB years.

How to Read This Poem

Get completely naked.

Fill your tub
with water, as hot
as you can handle
it (foams & oils
are optional).

Get in, slowly,
one
foot
at a time,
easing
yourself down
until you are
entirely immersed,
letting the heat
envelop your body.

Fill your lungs
with a deep, slow
breath. Hold it
for a second,
& ease it out.

Close your eyes.

Let this page
fall away.

Feel the touch
of a lover's finger
glide
along the bridge
of your nose.

Smell the scent
given off
by the tears
of a crying rose.

Let your tongue roll
around candy-colored
rocks flavored
amaretto.

Listen to
Caruso's voice,
flowing
with falsetto.

Watch the love
bounce
against the walls
of an infant's eyes.

Revel
in the feel
of velvet drawn
between your thighs.

Feed
some honey
to a bee.

Watch Fellini
dance
on your knee.

Teach
a lemming
how to read.

Plant
a river
from a seed.

Build
a mansion
with a hair.

Pluck
a mango
from the air.

Continue,
careful
not to let your skin
prune.

Rinse.

Repeat as necessary.

Thursday, April 12, 2012

Lost & Found Poetry, Day Three

Okay, two more from The Hoard: These are from a later semester at UB, when I was still either too egotistical, or too lazy to edit my poems. Sorry, Kendra! Anyway, I'm editing them as I go.

Five O'clock Shadows

Mid shave
I notice the small
grey patch
on my head.

I think about growing
old. I wonder,
will I age like the famous
latino men of old—Ricardo
Montalban, Lorenzo Lamas, Omar
Sharif, who isn't latino, but looks
good enough to be?

Then I realize the patch
is the same size it has been
for years: seven wiry silver
strands, marching to a make-
believe beat, refusing to bow
down; & I think, how typical;
I start things & never finish

all the schools, novels, scripts, sitcom
concepts, friendships, meals,
lovers, careers, religions—
Start strong, excited,
all four feet: fleet,
until the thrill bays
like a broken breeze...


Well, maybe, I think,
When I finish going grey,
I'll finish all the other things—
maybe going grey is the only
thing I'll ever finish.

I wipe the blood
from a fresh cut 
on my face,
shame exuding
in tiny red polka
dots, & walk away,
tired of mirrors
for today.




smacking birdies from the foul line 
in the bed that eats tired men

It's Saturday afternoon at the edge
of the world, I'm dreaming
of basketballs: there's a game
on the tube. I spread
my eyes to catch
the scorein my dream
there is no score
but my eyes are not done
sleeping. It's sixty degrees
outside, the spring heat
strokes a dusty patch
of white across my chest,
& I tell myself, "You should be out
there."

Myself rolls over to tell I,
"Shut the fuck up!"
I'm mad at myself, but I have
to sympathize.
I've worked long weeks before,
struggled
with the desire to abandon
my post,
fought off futility

Did I
sell,
push,
smile,
hustle,
clean,
order,
give,
slave,
suck enough?

Sleep becomes me,
I become sleep

It's Saturday afternoon at the edge
of the world: Tiger's shot
an eagle off the tee
There are things I want
to do. 

Eat—yesterday
I only had one
meal, a taco: cold & soggy
before I took the first 
bite—& frustration
didn't let me finish.
Drink—my tongue
is dry, fills my mouth,
a bloated beaver whose dam
is bigger than the river.
Finish—I promised
I would clean the room,
install the light,
fix the hard
drive, empty
the dishwasher,
lick the toilet
until it shined.
Write—I have to make
it sound like I really did read
The Odyssey in three to five
pages, & I have to find the poem
hiding
in my depths. But the game
in my head is so thrilling:

It's tied
in overtime
sudden death
only a few seconds
left on the clock
everyone has the ball
& there's absolutely
no pressure
to succeed.

Wednesday, April 11, 2012

These Lips (Both Versions)

Here's another from the "archives." The original was written in 1994 as an homage, of sorts, inspired by Lucille Clifton's Homage to My Hips. The "sequel" was part of an assignment to write a form poem. I don't really enjoy writing form poems. I took my lip poem and created a rhyme scheme for it.

These Lips

O, how I hated these lips,
these obese pieces of meat
that hang under my nose:
thick bits of pork fat

These lips stopped me
from talking to girls
because I knew
they secretly laughed
at these lips

I did all I could
to hide them,
posed in front of the mirror
for hours, sucking
them over my teeth,
looking like some amateur
Humphrey Bogart

I dreamt of the day
my face would sprout hair,
some down, at least,
to camouflage their unsightly mass

Until I found someone
who loved these lips
& licked these lips
& sang to their lusciousness

Now, these lips are lover's lips:
bearers of deep, titillating kisses
to which even the most resistant
must succumb

These lips are liquid lips,
flowing swiftly, clearly
over every hill & valley
in their wake

These lips are liquor,
intoxicating,
take a sip



These Lips (a sequel)

O, how 
I hated these lips
These hulking beef tips
Thick port fat strips
big pink buffalo chips

I thought, "These are some god's slips
or some wicked cantrips
'cause I surely could eclipse
half the world with these lips."

Then a goddess worshiped
the breadth of these lips
her tongue forming ellipses
her mouth taking sips

Now these redeemed lips
are proud sailing ships
taking extended trips
from head to hips
bringing pleasure
in long,
slow
drips

[LIKE A DIAMOND TRAPPED IN LODE...]

Another written for class. The assignment: write a poem after a beloved master. For this I chose Constantly Risking Absurdity by Lawrence Ferlinghetti.

[LIKE A DIAMOND TRAPPED IN LODE...]
After Lawrence Ferlinghetti’s [CONSTANTLY RISKING ABSURDITY]

Like a diamond trapped in lode
the poem resides
deep within
the mountain of our hearts.

Always mining,
we poets are compelled
to dig them out
lest they erupt:
the grieving
for a mother’s death,
the tasting
of a lover’s breath.

& perpetually we polish them,

until
from raw emotion,
we are left
with nothing
but a gem
we cannot keep,
but feel compelled to give
to the first person
willing & able

to take it
up
&
away.


Friday, March 9, 2012

Jim Crow 2.0

JimCrow2.0 300x271 Jim Crow 2.0
Affirmative action has been part of our social and political landscape for over fifty years now, ever since JFK signed an executive order in 1961 that called for  "affirmative action to ensure that applicants are employed, and that employees are treated during employment, without regard to their race, creed, color, or national origin." Four years later, President Johnson took it even further when he stated:
Nothing is more freighted with meaning for our own destiny than the revolution of the Negro American…In far too many ways American Negroes have been another nation: deprived of freedom, crippled by hatred, the doors of opportunity closed to hope…But freedom is not enough. You do not wipe away the scars of centuries by saying: Now you are free to go where you want, and do as you desire, and choose the leaders you please. You do not take a person who, for years, has been hobbled by chains and liberate him, bring him up to the starting line of a race and then say, ‘you are free to compete with all the others,’ and still justly believe that you have been completely fair…This is the next and the more profound stage of the battle for civil rights. We seek not just freedom but opportunity. We seek not just legal equity but human ability, not just equality as a right and a theory but equality as a fact and equality as a result…To this end equal opportunity is essential, but not enough, not enough.
So here we are, trudging through another presidential election cycle, and as always, Republicans have begun to talk about the inequality of affirmative action. They call it “preferential treatment.” They inspire students to sue colleges over it. They claim that it’s no longer necessary in an America willing to elect a black president. They say that the United States can never be a country based on equality as long as we continue to offer a leg up to a part of our population.They’re right!
Read the rest of the story on The Urban Twist.

Wednesday, March 7, 2012

lunacy

Lovely Luna is waxing and nearly full. Here's one of my Lunar Cycle poems, this one published in Life in Me Like Grass on Fire. This one was inspired by being surprised by the moon being clearly visible one early afternoon in Reisterstown.














lunacy

I love to see
the moon,
at noon,
high
hanging
in cerulean
sky,
fighting
the bright Sun,
proving
Her own power
does not rely
on His
absence.

Tuesday, March 6, 2012

I Promised You a Hate Poem








Final Letter to Maria
You think you're so fucking slick
with your adoring looks,
& your sly touches,
all the while pretending
you don't care.

You want to confuse me,

as if you hadn't hurt me enough,
and you hadn't let me fall
a million miles,
once you cut me from your web.

And I hit hard

you know I hit hard
shattered to a million pieces,
& now that I'm almost whole,
you want to try and rip me apart,
again?

Well, it's not going to work

because I'm being held together
by a force you could never understand
more complex than your jealousy,
stronger than the smell of your cunt.

So you can have the money

you think you deserve
I've met whores who deserve
more than you& you can have
my advice in times of utter despair
funny, you never wanted it
when I first offered
but I won't let you have my heart,
again.

Not so you can crush it

between your palms, 
again,
& smear it on the walls, 
again,
like some gory graffiti
for all to see
...besides, it's no longer mine
to give.



Embers
I sometimes find myself
combing through the ashes
of what we once had
digging, hoping to find something
salvageable amongst all the dead
embers.

I search deep and long, longing
too long, because once I find hope
I uncover burning, breathing coals,
blue-hot to the touch,
remnants of you
burning me, watching me
blister & boil
and catch
until I almost become
one of you,
one with you,
or whatever the fuck happens
when two flames
meet.

I know one day I'll accept that there is nothing but pain within the ashes.















Clean Rinse
I wash my hands,
I wash my hands of you
and everything about you,
the little burdens you try to pass off.

I wash my hands,

I wash my hands of you,
scrub beneath the nails
if only I could pluck them off
to be sure the residue,
the rest of you,
was rinsed deep clean.

I wash my hands of you,

scrub them to the bone,
and even then I scrub & scrub & scrub
until the bright white light of reflection
blinds me!


Is this all the brightness you could give?